DIGICO SD10 OFFLINE EDITOR FULL
DIGICO SD10 OFFLINE EDITOR PLUS

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O. ThatвЂ™s enough to comfortably mix a Philharmonic orchestra.

This opens the door to a wealth of interfacing options and enhanced flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engine consoles can connect to one optical loop for an incredible 1,152 I/O connections (56 inputs and 56 outputs per SD-Rack). The SD10 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. I/OДЄn abundance of I/O can be found on the rear of the SD10, including eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections and 16 GPI and GPO connections вЂ“ expandable to 32. Unlike all other digital console manufacturers, you donвЂ™t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss. In addition, the SD10вЂ™s 64 busses can be configured as groups or auxiliary busses, while even more configurability is delivered by a 24 x 24 output matrix, dual solo busses, and a Master buss. Using snapshots, engineers can switch between complete configurations at a touch. Within the master section are 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs).

DIGICO SD10 OFFLINE EDITOR PLUS

You will also benefit from 218 Dynamic EQ processors, all of which can be assigned to any input or output channel, delivering dynamic processing over the four standard parametric bands, plus 218 Multiband Compressors and 218 DiGiTuBes.ДЄll channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Standard channel processing across inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters 24dB/octave, four-band parametric EQ with band curve selection and DiGiCoвЂ™s renowned DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

With 144 processing channels at 48kHz/96kHz, the SD10 packs the muscle to handle the most challenging of shows. Special functions can be assigned and accessed instantly via 40 Smart Key Macros, accessed via four layers of 10 RGB backlit keys. With the SD10, flexibility comes as standard: recall or save presets on the channel strip recall or save snapshots using the master screen or simply use the dedicated switches on the surface. All functions are quick to hand courtesy of the centrally located 15-inch backlit colour-keyed TFT touchscreen. Ease of operation is assured with three banks of 12 motorised faders and one master fader, each with its own high resolution LED bar graph meter. Each FX unit only performed exactly one task and was never changed.ДЄ boombox (one of the internal speakers was replaced with a dummy load and connected to a DI box)ДЄ television (again one speaker removed, dummy load, DI box)ДЄn annoyingly complicated fake handgun that triggered a MIDI CC that then triggered a sample of a gunshot.ДЄn EV 630 microphone that was lowered from the ceiling wrestling-style.The trusted choice of engineers the world over, the SD10 delivers a wealth of flagship features derived from the market-leading SD7, plus substantial audio firepower in a fully-loaded console that has become a mainstay of modern mixing.Дriven by Stealth Digital Processing and floating-point Super FPGA technology, the SD10 packs the power and flexibility to meet even the most demanding requirements. The FX didn't really need to be physical units but the sound designer wanted them.

The scenes were preprogrammed for me and I just managed some DCAs for each scene unless everything decided to go to hell in a handbasket, which thankfully never happened.Д®dit: 70ish total, 25 for the pit and 23 wireless with 4 practical feeds (see below), 4 qLab playbacks (dual redundant) and 8 FX returns from physical units. I didn't use all of them at FOH but since we were using a digital snake solution I had access to all of them anyways.ДЄlthough I mixed it, I did not design it. Not sure what type of show OP does but my largest was somewhere around 70 for a musical with pit orchestra and about 25 wireless for actors, some playbacks that came from practicals on the stage, etc.

DIGICO SD10 OFFLINE EDITOR FULL

Probably many wireless with spares, double miked instruments, FX, playbacks, ambient mics, a full orchestra, something like that.

Digico sd10 offline editor